they wrote the name of this artist on the paper for me, and I Will really research them, I think are very relevant to my Project.
My Project. ( Photo as a final piece, objects, lights, reflection, mirrors, suspended, equilibrium, in and out, fragility of live, fragility of relations, unconscious, )
they ask for , scale? installation?
I think it was Nathan who wrote. Make more things!!!!
how many technics I Will use.
Any Particular precedents?
look at constructed photography. James Casebere and Ann Hardy.
Could the final outcome be the process? why the object? how do you relate to it?
Explore solutions between photo and object? how can they complement each others?
i WILL ANSWER ALL THIS QUESTIONS TO THE NEXT BLOG.
PLACING THEM ONE NEAR THE OTHER. in different scenarios.
i Will make it in porcelain. the finish piece Will be the photo with mirrows not the piece itself.
VERY SMOTH FINISH, AND PAINTED IN BLack and White like THE FAILED OBJECT. the failed object is a body vomiting mirrowing the other body. the black and White Will be the bodys, the only White pieces are just pure White becouse allredy nothing to vomit.
I WILL MAKE THE FAILED OBJECT WITH PLASTER. AND OTHERS WITH GLASS.
THOMAS DEMAND. THE FINISH PIECE IS THE PHOTO.
THE CHOSEN MATERIALS ARE PLASTER AND WOOD ,I WILL BE USING LASER CUTTER. The finish piece Will be a series of photos not the piece itself.
I am interested in the way the artists, shown above, use plaster, porcelain, cement and glass materials. I will use these works and their methods as inspiration for my ´Mirrow´ series. I will use a laser cutter to build the piece and use plaster to texture the piece or pieces I feel that the combination of these two factors will give me the best finish , some of the pieces will be painted like my Failed object in black and white. I plan to complete the rest of my series using porcelain and glass.
In addition to the physical pieces, I will create an exhibition wall made up of photographs of the pieces within the series. I can then display them in different ways to showcase each piece or a group of small pieces, I´m inspired by the way in which Edum de Waal does this, by placing mirrors around each of the displays.
MIRROW- NOTHING IS OUT THERE AND EVERYTHING IS out there.
AS WITH IN SO WITHOUT.
´Mirrows´ series it makes references to the law of correspondece explained on the last block.
Explore different materials that are like mirrows. the idea is to deliver the message of fragility of live relations and distorted perceptions.
I am also interested in Suspensión and equilibrio in 3D shapes.
the outcomes can combine photos with objects making, with the research of materials.
-A Wall full of prototypes.Influence of Art brut and informalism.
-from the vomiting figures with paper , I Will do some more with the material Shrinkles and Paint in black the figure.
-The pieces ” 3 different backgrounds” Paint them in White and make a display and the final piece is a photo.
from the pieces made with the material shrinkles I can add plaster and them Paint on the the vomiting figure.
-Photo with the colour plastic with the vomiting figure and add some bright color underneath.
Anton AlvarezZ. I could do a display like him with forms from paracelsus rose and the final piece could be the photo.
zacjeru Eastwood Bloom. the final piece is the photo sometimes, I have some shapes from paracelsus rose that i could do in ceramic and make a display and the final piece can be the photo.
I did this photo before the RCA. Make this shapes in ceramic and display them like zacjeru Eastwood Bloom and the final piece can be the photo.
Mirrows serie. fINISH PIECE WILL BE WITH GLASS MATERIAL LIKE CHIHULY OR THE PHOTO ITSELF WITH DIFFERENT DISPLAYS.
CHIHULY. Material , glass
Warm colours. Bright and saturated tones.
the law of correspondence.
he Law of Correspondence says “as within so without, as above so below.” What this means is that your outer world is a reflection of your inner world.Your outer world is 360-degree mirror, everywhere you look you are seeing yourself reflected back. Wherever you go, there you are. Your outer world merely expresses your thoughts, beliefs, feelings, attitudes, etc.
There is a bright and a reflection of the piece, is mirrowing the piece , Mirrows is a simbol of the law of correspondence.
This piece are two humans bodies vomiting on to each other.
collage after having seen the Dora Maar exhibition..
Small collage before the critic, I will not show this one but I will show some 3d objects that I still have to finish tomorrow morning, the similitude of my photomontage and the prototypes I do is about ensemble shapes and colors, is all about shapes ,and tones and breaking down your reality ,your perception.
Georg Baselitz 1938 .In the 1960s he became well known for his figurative, expressive paintings. In 1969 he began painting his subjects upside down in an effort to overcome the representational, content-driven character of his earlier work and stress the artifice of painting.[1]
He was born in Germany. He grew up amongst the suffering and demolition of World War II, and the concept of destruction plays a significant role in his life and work. These autobiographical circumstances have therefore returned throughout his whole oeuvre. In this context, the artist stated in an interview: “I was born into a destroyed order, a destroyed landscape, a destroyed people, a destroyed society. And I didn’t want to reestablish an order: I had seen enough of so-called order. I was forced to question everything, to be ‘naive’, to start again.”[3] By disrupting any given orders and breaking the common conventions of perception, Baselitz has formed his personal circumstances into his guiding artistic principles.[4] To this day, he still inverts all his paintings, which has become his unique and most defining feature in his work.
BRAKING THE COMMON CONVENTIONS OF PERCEPTION. THE SAME IS HAPPENING IN MY FAILED OBJET, IS ABOUT A BODY BUT I CHANGE THE PERCEPTION OF SEEN A BODY. WHY ? BECOUSE I CAN TRAIN MY MIND TO BE INVENTIVE AND FLEXIBLE.
Antony Gormley is widely acclaimed for his sculptures, installations and public artworks that investigate the relationship of the human body to space. His work has developed the potential opened up by sculpture since the 1960s through a critical engagement with both his own body and those of others in a way that confronts fundamental questions of where human beings stand in relation to nature and the cosmos. Gormley continually tries to identify the space of art as a place of becoming in which new behaviours, thoughts and feelings can arise.
THE RELATIONSHIP OF THE HUMAN BODY TO SPACE. WHERE HUMAN BEINGS STAND IN RELATION TO NATURE AND THE COSMOS.
Animation workshop at Royal Drawing School with Jonathan Farr, now after some years I Will do a new animation, I am going back and foward from past Works and i bring them to the present.
Animation weekend workshop. VIMEO-JONATHAN FARR. 26 MAR, 2015 TITLE ICARUS.
this was an animation workshop, and it will be a new future work, now at the the RCA studio I planted the seed for the next animation.
I participated to create this animation during a course at the Royal drawing school of art, now at RCA it came back the idea to do collaboration with Jonathan Farr again for an animation.
Now we are exploring different medias maybe that’s why I am open to new things I have just done one animations in all my live and I don’t have experience but I am really excited to do this new work.
Been easy and joyfull, understanding why I do the things I am doing, trying to get to know my identity and loosing at the same time.
My future Will be in 3D.back and forward and the interaction between ready made objects and my objects. TODAY IS ABOUT FAILURE.
THINGS ARE HAPPENING WHEN YOU ARE READY TO FAIL.
From some leaflets of Amy sillmans I created new 3d shapes,this was happening becouse i did not have any expectation, and the only expectation i had it was about to fail.
WHAT WERE THE MEMORIES WHEN I WAS DOING THE FAILED OBJECT? .Memories of Joan Miro this present moment, when i was studying in Barcelona, then in Italy, Birolli, Marino Marini ,Afro Basaldella. Now I am in London and Patric Heron is also in the present moment.
Maybe I have not been completely consious about that, but the shapes of the Failed object is telling me what is going on.
I am interested in the mute colours and meditative way of doing of Agnes Martin.
Her live is interesting and also her approache.
she was interested in Tao filosophy. and the minimal of her paintings are related with the country of -Mexico, where she lived for some years.
I am interested with her colours and shapes and her interpretation of the Mexico lanscapes.
In my installations I am interested in shapes, mute colours and saturated and unsaturated colours , the interaction between them, what is next to each other is relevant
Patrick Heron.
I keep looking this english Artist, the interaction between saturated colours and unsaturated colours, the tones and the shapes. I am interested with the music of visual Arts. colours ,shapes and tones can make a sound. Some images can change your mood the same with the sound and the taste. I think we all want to take the most of live and we want to feel Good and have emotions which makes you feel in Good mood.
This new scenario is happening, in this new scenario it Will act Norbert Szabo musician and a song writter, Henry Simpson-Gray film maker, and I am doing the animations, my influences are and Will be Gerald Scarfe ,Jockum Nordstrom, Pink Floyd , William Kentridge and Amy Sillmans.
My intention is to make installations and drawings of the matamophosis of consciousness.
I’m talking in terms of present and future because I’m already planting the seed and is happening now in terms of unfolding the time. I am just recording some research on my block for the fun project.
William Kentridge.Animations.
drawings for the animation.luisa Mascaro
drawings for the animations .luisa Mascaro
luisa Mascaro.for the animation film.
some ideas for the animation film.drawins of vegetables and flowers that Will change into animals or humans.THE DRAWINS OF THIS BLOCK ARE FROM LAST YEAR, I JUST WANT TO KEEP DEVELOP THEM FOR THE ANIMATION PROJECT BUT I HAVENT DONE THEM AT THE STUDIO OF RCA.
Amy sillmans.
Amy Sillmans animations will also be an influence on the film. The perspective of this painting is interesting becouse that remains me Dante’s cone, when humans go to hell. this is not related to the good and the bad, the point of this video is to go above the good and the bad, but at the same time to move forward in a higher consciousness.
from abstract installations and abstract objects or shapes Will become birds, from birds to humans, from humans to flowers, from flowers to monsters, from monsters to destructions, from destruction to new born, and like this going in circle. From black and white Will be color, from color to black and White.I think i Will have to look for an assistant it Will be my second animation and i know that for 30 sec i Will need to do a lot of drawings.
I DID THIS DRAWINGS LAS YEAR NOT AT THE STUDIO OF RCA.this are sketches for the animation, all of this drawings will be in constant transformations, and i will add some 3d objects.
from this building Will appear a Monster. this graffiti from Luisa Macaro has not been realice.
from this building Will appear an exotic bird.This graffiti from luisa Mascaro has not been realise, is a fiction.
I DID THIS DRAWINGS LAST YEAR.Monster and the exotic bird Will be playing all the video. going up and down.this photo is from last year studio at KCC.I would like to make an animation from this shapes and everything Will be moving and becoming other shapes, is an ongoing Project.
Luisa Mascaro.Justaposition of idfferent materials.Ready made objects..I did this photo before I began my studies at the RCA , after 8 months and looking at Richard Wentworth, I understand better why I did the photo. And I can see it with different knowledge and for me it makes more sense now.Luisa Mascaro.Justaposition of different materials.It was Good idea today staying outdoors and not in the studio.Having seen before going outdoors Richard wentworth the streets of London were my studio.I am thinking to place some of my prototypes in the ready made found materials that are on the streets.
the Wood piece is from Giacometti.
Luisa Mascaro.Ready made object with a broken print.
the Broken etching with Giaccometti. Composition of different materials with different backgrounds. Coherent whole.
I would like to add some of my prototypes to this photos,in real live or with Photoshop.