Pink Floyd and Jockum Nordstrom.ANIMATION FILM WITH NORBERT SZABO AND HENRY SIMPSON.I did the drawings from this blog last year,I just would like to develop them for an animation film.

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  • pink Floyd
  • jockum Nordstrom
  • Jockum Nordstrom.

This new scenario is happening, in this new scenario it Will act Norbert Szabo musician and a song writter, Henry Simpson-Gray film maker, and I am doing the animations, my influences are and Will be Gerald Scarfe ,Jockum Nordstrom, Pink Floyd , William Kentridge and Amy Sillmans.

My intention is to make installations and drawings of the matamophosis of consciousness.

I’m talking in terms of present and future because I’m already planting the seed and is happening now in terms of unfolding the time. I am just recording some research on my block for the fun project.

William Kentridge.Animations.
  • drawings for the animation.luisa Mascaro
  • drawings for the animations .luisa Mascaro
  • luisa Mascaro.for the animation film.
some ideas for the animation film.drawins of vegetables and flowers that Will change into animals or humans.THE DRAWINS OF THIS BLOCK ARE FROM LAST YEAR, I JUST WANT TO KEEP DEVELOP THEM FOR THE ANIMATION PROJECT BUT I HAVENT DONE THEM AT THE STUDIO OF RCA.
Amy sillmans.

Amy Sillmans animations will also be an influence on the film. The perspective of this painting is interesting becouse that remains me Dante’s cone, when humans go to hell. this is not related to the good and the bad, the point of this video is to go above the good and the bad, but at the same time to move forward in a higher consciousness.

from abstract installations and abstract objects or shapes Will become birds, from birds to humans, from humans to flowers, from flowers to monsters, from monsters to destructions, from destruction to new born, and like this going in circle. From black and white Will be color, from color to black and White.I think i Will have to look for an assistant it Will be my second animation and i know that for 30 sec i Will need to do a lot of drawings.

I DID THIS DRAWINGS LAS YEAR NOT AT THE STUDIO OF RCA.this are sketches for the animation, all of this drawings will be in constant transformations, and i will add some 3d objects.
  • from this building Will appear a Monster. this graffiti from Luisa Macaro has not been realice.
  • from this building Will appear an exotic bird.This graffiti from luisa Mascaro has not been realise, is a fiction.
I DID THIS DRAWINGS LAST YEAR.Monster and the exotic bird Will be playing all the video. going up and down.
this photo is from last year studio at KCC.I would like to make an animation from this shapes and everything Will be moving and becoming other shapes, is an ongoing Project.
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Published by lumascaro6

I am an interdisciplinary practitioner, a printmaker and painter whose work also extends into ceramics and sculpture. I experiment with different techniques and express myself using a wide range of materials. I am challenging myself by exploring the materiality in printmaking and painting, the core of my practice. Through the intuitive nature of my work the element of discover is of most significance, allowing accident and mistake occur, sometimes I deliberately provoke them, my interest is to develop flexible thinking and to improve my visual language. Sometimes my interest is simplifying abstract forms that arise from the interpretation of the figurative image, which allows the viewer to make their own reading of the piece of art. I hope to create a space where the public can interact with their imagination and to realise the fiction of the perception created by our unconscious. My work emerges as a developing process, it can start with collage made up of discarded defective prints, or it could emerge from Exhibition ephemera. I manipulate them by adding more cut out etchings. I choose one print and work in various ways, I destroy, push, pull, deconstruct, construct and collapse the image resolving in a process of constant abstraction and figuration, this is the thing which appears, not the thing in itself. I don’t have a preconceived idea it’s a call and response. The 2D collages reach out in relief, they feel sculptural in themselves, I take the opportunity from this 2D collages to go into 3D sculpture and them back to the 2D painting, is a back and forward process mirroring the work of Michael Lady With his 3D collages . My practice drawn from a range of sometimes contradictory sources, on one hand, I am attracted to the simple and minimalistic of the pieces Miles Davis music "Siesta" and "Human nature" the empty spaces in between the solos attracts me. The same occurs with the painters Agnes Martin and Elsworth Kelly, parts of the painting are resting from shapes and colours, it is an empty breathing space next to the simplicity of the form. On the other hand I am drawn to the materiality of Amy Sillmans and Gillian Ayres. Their work infuses the complexity of the layers of paint and paper showing the history of the process and the interaction between the shapes, colours and mark making. I perceive that my work is spontaneous and playful, intuitively mixing elements from observation and imagination. I am planning in the future to start to work with the prints on a much larger scale. I would like to incorporate stronger paper and wood as a support, to extend and make combinations of the etchings into 3D installations with them adding sound.

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