MAIN IDEAS FOR INVESTIGATOR PROJECT- MATERIALS RESEARCH.

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  • twombly. material ,Plaster.
  • Genesis Belanger. Material, porcelain
  • Chihuly. Material, Glass
  • Dubuffet. Material ,cement and Paint.
  • EDMUND DE WAAL.
Edmun de Wall. Porcelain
  • I WILL PLACE THEM WITH MIRROWS.
  • PLACING THEM ONE NEAR THE OTHER. in different scenarios.
  • i Will make it in porcelain. the finish piece Will be the photo with mirrows not the piece itself.
  • VERY SMOTH FINISH, AND PAINTED IN BLack and White like THE FAILED OBJECT. the failed object is a body vomiting mirrowing the other body. the black and White Will be the bodys, the only White pieces are just pure White becouse allredy nothing to vomit.
  • I WILL MAKE THE FAILED OBJECT WITH PLASTER. AND OTHERS WITH GLASS.
  • THOMAS DEMAND. THE FINISH PIECE IS THE PHOTO.

THE CHOSEN MATERIALS ARE PLASTER AND WOOD ,I WILL BE USING LASER CUTTER. The finish piece Will be a series of photos not the piece itself.

I am interested in the way the artists, shown above, use plaster, porcelain, cement and glass materials. I will use these works and their methods as inspiration for my ´Mirrow´ series. I will use a laser cutter to build the piece and use plaster to texture the piece or pieces I feel that the combination of these two factors will give me the best finish , some of the pieces will be painted like my Failed object in black and white. I plan to complete the rest of my series using porcelain and glass.

In addition to the physical pieces, I will create an exhibition wall made up of photographs of the pieces within the series. I can then display them in different ways to showcase each piece or a group of small pieces, I´m inspired by the way in which Edum de Waal does this, by placing mirrors around each of the displays.

What are the pieces telling?

SUSPENDET ,TENSION, NEGATIVE SPACE, SHAPE,MINIMAL.

HIDDEN-PRESENT

MIRROW- NOTHING IS OUT THERE AND EVERYTHING IS out there.

AS WITH IN SO WITHOUT.

´Mirrows´ series it makes references to the law of correspondece explained on the last block.

Explore different materials that are like mirrows. the idea is to deliver the message of fragility of live relations and distorted perceptions.

I am also interested in Suspensión and equilibrio in 3D shapes.

the outcomes can combine photos with objects making, with the research of materials.

-A Wall full of prototypes.Influence of Art brut and informalism.

-from the vomiting figures with paper , I Will do some more with the material Shrinkles and Paint in black the figure.

-The pieces ” 3 different backgrounds” Paint them in White and make a display and the final piece is a photo.

from the pieces made with the material shrinkles I can add plaster and them Paint on the the vomiting figure.

-Photo with the colour plastic with the vomiting figure and add some bright color underneath.

  • Anton AlvarezZ. I could do a display like him with forms from paracelsus rose and the final piece could be the photo.
  • zacjeru Eastwood Bloom. the final piece is the photo sometimes, I have some shapes from paracelsus rose that i could do in ceramic and make a display and the final piece can be the photo.
  • I did this photo before the RCA. Make this shapes in ceramic and display them like zacjeru Eastwood Bloom and the final piece can be the photo.
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Published by lumascaro6

I am an interdisciplinary practitioner, a printmaker and painter whose work also extends into ceramics and sculpture. I experiment with different techniques and express myself using a wide range of materials. I am challenging myself by exploring the materiality in printmaking and painting, the core of my practice. Through the intuitive nature of my work the element of discover is of most significance, allowing accident and mistake occur, sometimes I deliberately provoke them, my interest is to develop flexible thinking and to improve my visual language. Sometimes my interest is simplifying abstract forms that arise from the interpretation of the figurative image, which allows the viewer to make their own reading of the piece of art. I hope to create a space where the public can interact with their imagination and to realise the fiction of the perception created by our unconscious. My work emerges as a developing process, it can start with collage made up of discarded defective prints, or it could emerge from Exhibition ephemera. I manipulate them by adding more cut out etchings. I choose one print and work in various ways, I destroy, push, pull, deconstruct, construct and collapse the image resolving in a process of constant abstraction and figuration, this is the thing which appears, not the thing in itself. I don’t have a preconceived idea it’s a call and response. The 2D collages reach out in relief, they feel sculptural in themselves, I take the opportunity from this 2D collages to go into 3D sculpture and them back to the 2D painting, is a back and forward process mirroring the work of Michael Lady With his 3D collages . My practice drawn from a range of sometimes contradictory sources, on one hand, I am attracted to the simple and minimalistic of the pieces Miles Davis music "Siesta" and "Human nature" the empty spaces in between the solos attracts me. The same occurs with the painters Agnes Martin and Elsworth Kelly, parts of the painting are resting from shapes and colours, it is an empty breathing space next to the simplicity of the form. On the other hand I am drawn to the materiality of Amy Sillmans and Gillian Ayres. Their work infuses the complexity of the layers of paint and paper showing the history of the process and the interaction between the shapes, colours and mark making. I perceive that my work is spontaneous and playful, intuitively mixing elements from observation and imagination. I am planning in the future to start to work with the prints on a much larger scale. I would like to incorporate stronger paper and wood as a support, to extend and make combinations of the etchings into 3D installations with them adding sound.

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